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The
Art Gallery was founded in Cetinje in 1950. As the oldest and most
respectable institution, its task is: to study the development of
fine arts; to collect, keep and exhibit pieces of artistic value;
and, by an adequate selection of works, to offer the most
comprehensive overview of the most significant achievements in fine
arts. In the beginning it operated within the State Library, and
then independently from 1952 to 1963, when it was integrated with
the other Cetinje museums into an institution called the General
Museum of Montenegro (Museums Cetinje, 1965), renamed the National
Museum of Montenegro (1992). During the seventies, the Art Gallery
grew into the Art Museum of Montenegro, currently keeping the
collection of around 2,800 exhibits, including some capital works of
contemporary Yugoslav and Montenegrin fine arts. The diversity and
wealth of the collection led to its classification into the
following sub-collections: the Collection of Reproductions of
Frescoes, the Collection of Icons, the Collection of Montenegrin
Fine Arts, the Collection of Yugoslav Fine Arts, the Collection of
Foreign Artists, the Collection of Milica Sarić Vukmanović
and Svetozar Vukmanović Tempo, the Collection of Caricatures,
the Collection of Legacies, and the collections within the gallery
“The Yugoslav Artists to Njegoš”: fine art, applied art, and naďve
art. In accordance with the exhibition space available to the Art
Museum of Montenegro, the permanent exhibition of the National
gallery in Vladin Dom includes the Collections of Montenegrin
and Yugoslav Art, the Collection of Icons and the Collection of
Milica and Svetozar Vukmanović Tempo.
The
plan of the exhibition .1
1.
Yugoslav collection
2. Collection of Milica and Svetozar Vukmanović
3. Icons
4. Blue chapel and Filermosa icon
5. Montenegrin collection
6. Works of Milo Milunović
7. Works of Petar Lubarda
8. Works of Branko Filipović - Filo
9. Instalations of Miodrag Dado Đurić
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>>> . The
Yugoslav Collection encompasses the works created in the
territory of the former Yugoslavia. Its presentation points
to the wealth and diversity of artistic achievements of this
specific area where the centuries-old intertwining of the
East and the West influenced the entire spiritual and
cultural environment. Following the chronological
principles, stylistic expressions and movements, as well as
the poetic and aesthetic characteristics of certain artists,
the presented works enable the visitor to follow the
development and the basic stylistic features of Yugoslav
fine art in the period from the end of the nineteenth to the
seventies of the twentieth century. ..
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Yugoslav
collection
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The
Collection of Milica and Svetozar Vukmanović Tempo was
born as a product of Mrs Milica Sarić Vukmanović’s
and Mr Svetozar Vukmanović Tempo's
enthusiasm and love for fine arts. They gave their
collection of paintings, graphics, sculptures and works of
applied art, which they had built up for years, as a present
to Cetinje in 1964. They enriched it in time so that today
it comprises 220 exhibits, which represent a highly valuable
whole within the collection of the Art Museum of Montenegro.
A part of the permanent exhibition of the National Gallery,
this collection adds to the essential values of the
anthological overview of Yugoslav and Montenegrin fine art.
Namely, the cross-section of Yugoslav painting would be
incomplete if it was not for the highly valuable artistic
pieces contained by this collection which represent the
achievements of key artists from the major painting
movements of the twentieth century.
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Collection
of Milica i Svetozar Vukmanović
The
Collection of Icons shows stylistic and iconographic
features derived primarily from the plastic aesthetic
characteristics of the area where they were created.
According to their origin they can be divided into three
wholes: icons of Russian origin created in the period
from the end of the eighteenth century to the beginning
of the twentieth century, which reached the territory of
Montenegro through the mass import from Russia to the
countries populated by the Christian Orthodox; Italo-Cretan
icons from the end of the seventeenth century and from
the eighteenth century that arrived at the Montenegrin
coast thanks to the ramified trade and cultural links
with the West, particularly Italy; icons by domestic
artists painted
in the period from the eighteenth to the beginning of
the twentieth century. The works standing out among
these are the icons of the school of icon-writing of the
Dimitrijević-Rafailović family from Boka
Kotorska. The same section displays the paintings by
foreign authors with religious themes: the painting on
wood The Execution of Saint Genoveva from the
seventeenth century, which belongs to the northern
European art, and the work by the Italian painter
Giovanni Battista Pittoni,

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The
icons
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The
Holy Family. The painting The Holy Family by
our greatest baroque painter Tripo Kokolja (Boka
Kotorska) is also on display in this part of the
Gallery.

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