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Biljarda, the former residence of Petar II Petrović Njegoš, built according to the design of Jakov Ozereckovski in 1838, is a place for the visitor to truly sense the time, circumstances and conditions in which the great Montenegrin Prince-Bishop, poet and philosopher created his most important works.

Over a whole century, the Montenegrins carefully preserved the legacy of Njegoš, to open a Memorial Museum in the bishop’s renewed residence in 1951. 

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        The plan of the exhibition:

                          1. The Armoury

                          2. The Senate Hall

                          3. The library

                          4. The bedroom

                          5. The room of Njegoš’s secretary

                          6. The Statehood Room

                          7. Njegoš's works 

                          8. Map of Montenegro

 

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The building used to have a ground floor and an upper floor with 25 rooms. The upper floor contained: “The Armoury”, Bishop’s bedroom, Bishop’s study, the Billiard Room, “People’s Office”, Njegoš’s secretary bedroom, a room intended for the senators and foreign visitors. The ground floor contained: Bishop’s kitchen, dining room with a fireplace, servant’s room and storage, dining room and “popular kitchen”. Our studies still do not provide us with a detailed and complete description of the interior of Biljarda. There exist such descriptions, though fragmentary and providing only a hint as to what the interior looked like. Weapons hung on the walls, as well as portraits of notable figures that Njegoš appreciated: Russian Emperors Peter the Great and Nikolay I, Napoleon, Friedrich of Saxonia, Karadjordje and Byron. 

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Metropolitan Petar II Petrović Njegoš (portrait done by Johan Boss) and the" Armory"

 

The billiard-table, after which the residence obtained its name, was placed in the main room, that was in time going to become the place where important decisions would be made. 

The Armoury or “The Chamberlain’s Room”, alongside the characteristic samples of weapons, canons krnjo and zelenko, portraits of Kenjo Janković, a contemporary of Njegoš who won Žabljak, and sirdar Djuko Sredanović, Njegoš’s attendant, displays the gift collection of weapons that marked the opening of the Memorial Museum in Biljarda and a century from the death of Peter II Petrović Njegoš (1851 – 1951).

 

                   

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The Senate Hall and Njegoš's library

 

The Senate Hall, that is the Billiard Room, is one of the most important rooms in the residence. This is where the social and state life of the free part of Montenegro took place. Next to the billiard-table, the cabinet displays the Bishop’s armchair bought in Venice - its legs were subsequently modified and extended by 16 centimetres for the size of the chair to fit Njegoš’s stature. A portrait of Njegoš in national costume, done by the Viennese painter Johannes Bes in 1847, is displayed on the central wall.

Portraits of Prince Danilo, who succeeded Njegoš on the Montenegrin throne, as well as those of King Nikola and Grand Duke Mirko, Njegoš’s will, flags, long daggers (jatagan), rifles, and pistols (ledenica) are also displayed.

The study, with a library of more than a thousand books is even today fascinating for visitors. Bishop Petar II frequently consulted a large number of books in nine classical and living languages. It is precisely this wide range of fields and personal interests that places Njegoš among the most educated persons of the time. 

Njegoš's notebook and the original manuscript of the epic poem Gorski vijenac (The Mountain Wreath) 

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This is particularly heightened by his works - the original manuscripts of Gorski vijenac (The Mountain Wreath) and Noć skuplja vijeka (The Night More Precious Than the Century), one of the best love poems ever written in this part of the world. Translation of Lamartin’s  Hymn of Night, Njegoš’s notebook, gold pen and inkpot are also displayed. A portrait of Pushkin, Njegoš’s personal arms and personal objects complete this historical picture.

The bedroom displays representative samples of handmade weapons, bishop’s robes, the chair Njegoš used for rest, part of the original furniture, portrait of the Bishop in his youth done by the Slovenian painter Josip Tominc (1833).

A special place on the sidewall belongs to the originals of Njegoš’s bishop’s diplomas.

 

     

The bedroom,  bishop’s diploma and Njegoš's portrait done by Jozef Tominc

 

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